Homosexual/Gay Film in Korea and Asia
This is a forum dedicated to the small albeit budding culture of gay/homosexual films in Asia that have a faced controversy, hate and backlash. Even in this day and age, Koreans (and Asians in general) have a deep, running hatred of that which they cannot understand, especially the unspeakable 'abnormality' of homosexuality. There has been many an instance in the past where gays were shunned in Korea and forced to live in silence. Still, there are a few films that deal with this delicate matter either directly or more subtly, and I want to pay a homage to those films. I was amazed that there was not already a thread dedicated to this subject.
There will be NO bashing and NO hate. This is a place to come to share movies already on the forum or not, or simply to discuss. The topic doesn't have to stay on films either. Let's discuss the wide spectrum of culture that encompasses the lives of the silenced.
This is a list of some of the best, classic (in my opinion) gay film that is out there. By no means is this a complete list. I have not seen everything concerning homosexuality in Asia, so please, feel free to contribute and discuss.
There will be NO bashing and NO hate. This is a place to come to share movies already on the forum or not, or simply to discuss. The topic doesn't have to stay on films either. Let's discuss the wide spectrum of culture that encompasses the lives of the silenced.
This is a list of some of the best, classic (in my opinion) gay film that is out there. By no means is this a complete list. I have not seen everything concerning homosexuality in Asia, so please, feel free to contribute and discuss.
MOVIES / FILM:
The King and the Clown 왕의 남자

Directed by: Lee Jun-ik 이준익
Starring: Gam Woo-seong, Jeong Jin-yeong, Kang Seong-yeong, Lee Jun-ki
Release date: December 29, 2005 (South Korea)
Summary: Set in the early 16th century during the rein of King Yeonsan, two street clowns and tightrope walkers, Jangsaeng (Gam Wu-seong) and Gonggil (Lee Jun Ki), are part of an entertainer troupe. Their manager sells Gonggil's body to the nobility, and Jangsaeng sickens of this practice. After killing their manager in defense, the pair flees to Seoul, where they form a new group of street performers.
Together the group comes up with a skit mocking some members of the Royal Court, including the king and his new concubine Jang Noksu. After they are arrested for treason, Jangsaeng makes a deal with Choseon, who turns out to be one of the King's servants, to either make the king laugh with their skit or to be killed. They perform their skit for the king, but the clowns are so scared they mess up. Gonggil and Jangsaeng barely save themselves with one last joke at the king, who laughs and then makes them part of his Court. The king falls for the effeminate Gonggil, whom he calls to his private chambers often for puppet shows. Jangsaeng becomes jealous of this time alone (though it is never explicitly stated that there is anything more than friendship between him and Gonggil - this topic of friendship/love has been much debated by film reviewers). Meanwhile, the King becomes more and more unstable and kills people as he watches plays with resemblances to his past, where his mother was publicly executed via poisoning. Jangsaeng asks Gonggil to leave with him and the gang at once before the King may kill them too out of his fits. Gonggil refuses, sympathizing with King Yeonsan.
The king's main concubine, Jang Noksu, becomes enraged by the attention the king has been lavishing upon Gonggil. She tries to have him killed during a hunting trip, resulting in the death of one of the members of their street performing team. Days after the hunting trip, there is a kiss between the king and Gonggil (which has caused much buzz and excitement among film reviewers). Then, she tries to have him jailed by having flyers run in Gonggil's handwriting insulting the king severely. Jangsaeng takes credit for the crime for which Gonggil has been falsely accused and is imprisoned.
Choseon silently releases Jangsaeng, saying that he should now forget about Gonggil and leave the palace. But after being released from prison Jangsaeng surprisingly walks his tightrope between palace rooftops, this time openly mocking the king. The King fires arrows at him while Gonggil tries to stop him. Jangsaeng falls off and is caught, and has his eyes burned out and he is rejailed. Gonggil attempts suicide, but his life was saved by the palatial doctors. The king has Jangsaeng walk his tightrope blind. As Jangsaeng tells a story on the rope, Gonggil runs out of the palace and joins him, and they have a conversation together with much hidden meaning and significance, about returning in the next life again as clowns.
Throughout the film, the tyranny of the king and corruption of his Courts is revealed. At the very end there is an attack on the palace, and as people storm through the court beneath the tightrope, Jangsaeng and Gonggil jump together, and Jangsaeng tosses away his fan, signifying the death of both which is never actually seen in the film.
No Regret 후회하지 않아

Directed by: Leesong Hee-il
Starring: Lee Young-hun, Lee Han, Jo Hyun-cheol, Kim Dong-wook, Jeong Seung-gil, Lee Seung-won, Hwang Chun-ha, Kim Jeong-hwa
Release date: November 16, 2006 (South Korea)
Summary: A male escort starts to become involved with one of his wealthy clients.
Lee Young-hoon, is the main actor here. He plays Su-min, an orphan who, since he is unable to pay for university, must leave the orphanage at 18. (Leesong's research for this film led him to find that this requirement leads many orphans, male and female, to end up in factories and hostess/host bars in Seoul at 18. "Some days, I feel like I might like to shoot an orphanage story," he says) Su-min heads to Seoul to work various jobs in order to pay for computer classes and later university. An ethical stance on Su-min's part results in his losing his factory job. (Such a morally upstanding gesture along with Lee's beauty endears him early on with the audience. This also provides a nice expose on class in Queer communities, adding layers to the 'hostess bar' genre in South Korean cinema that Leesong redefines here.) Hit hard on financial times, Su-min ends up taking a job at a host bar. The boss (they call him 'Madame') of this host bar is reluctant to bring on Su-min since experience has shown him that gay-identified hosts will often leave once they become romantically involved with one of their clients. Su-min is at a point in his life where he's given up on love, so he believes this won't happen to him, until a man from his past enters the host bar and life gets messier, more beautiful, and messier again. But for those who have had enough of the self-loathing and tragedy demanded in some films with sexual minority plots and subplots, hold on. At the risk of revealing the ending, let me just say don't worry. As much as I have problems with the narrative flow near the ending, at least No Regrets is not going where we are initially led to believe it is. One of the best aspects of this film is how we aren't provided the obligatory caricatures of Gay 'types' on prime-time sitcoms in the United States. Su-min is a well-rounded character and I love his refusal to answer questions he doesn't feel people have the right to ask. Each character has a depth that allows each to be more than simply the queen, the naive waif, the self-denier, etc. Refusing to follow the path towards Queer liberation espoused by sitcoms, No Regrets is freed to provide some refreshingly, rip-roaring hilarious moments. The banter provided by Madame and one of Su-min's co-workers would have had the audience at the 11th PIFF rolling on the floor with laughter had there been room on the floor of the packed house. Many of the jokes are specific to a Korean audience, (no one was able to explain to me what was meant by the crowd-pleasing 'You look like the Richard on Shilim Avenue' slam of the country bumpkin), but there is enough context here and quality acting and directing to ascertain what commentary witty retorts such as 'Wheat-floured face' are intended to impart.
But still, the joy of my experience with No Regrets was obviously enhanced by the crowd and their positive reactions to what they were watching. I almost missed this film, but thankfully ran into Italian film critic (and Koreanfilm.org contributor) Paolo Bertolin in the maze of streets in Haeundae that confound one's sense of cardinal directions. He insisted I get a standing-room ticket for the sold-out show. So I did just that and was one of the lucky standing-room-ers who was able to snag a seat from the late ticket holders. (PIFF is notorious for its strict time schedules. Variety had a story this year about one of their reviewers being physically restrained from entering after arriving a few minutes late.) Just before the film began I looked to see that every seat was occupied, every step in the theatre appropriated as a seat, and still more people were lined up along the walls anxious to see this film.
Commenting on the particularities of Queerness in South Korea would take a dissertation that space here will not allow. Until I stumble on such a Ph.D., how 'bout a master's thesis instead? Matty Wegehaupt's master thesis "Hong Seok-cheon - Keoming Aut in South Korea" details the cultural nuances around the South Korean TV actor's public coming out in 2002 that was immediately followed by his dismissal from the station that employed him. Such actions might lend support to a view that South Korea is a "conservative" country when it comes to sexual minorities. But just as Bruce Cumings argues in Korea's Place in the Sun that the adjectives of "liberal" and "conservative" as used in the U.S. are not fully transferable to a Korean context, Wegehaupt questions whether one can really call a country 'conservative' where the labor union rushed to the defense of their openly Gay colleague? And this defense was not due to 'Western Liberalization' but to something organic in South Korean culture. In fact, as Wegehaupt would later elaborate for me in an email, "While it may be the perspective of a minority, within Korean cultural mores there exist the means to freely accept and support the new phenomenon of public homosexual identities." Perhaps nothing supports Wegehaupt's claim more than the packed crowd that came to watch No Regrets. And perhaps nothing supports Leesong's film of hope more than the smiles on the faces of many of us who watched this ground-breaking film, smiles shared on the faces of Su-min and Jae-min (Lee Han) as they survive the tragedy that surrounds them, reminding us that until we can live honestly with ourselves in all countries, such tragedy surrounds us all. (Credit: www.koreanfilm.org)
Boys Love ボーイズ ラブ

Directed by: Kotaro Terauchi
Starring: Yoshikazu Kotani, Takumi Saitou, Hiroya Matsumoto, Masashi Taniguchi
Release date: November 24, 2006 (Japan)
Summary: Just doing his job, magazine editor Taishin Mamiya (Yoshikazu Kotani) interviews high school model Noeru Kisaragi (Takumi Saito). Despite Noeru's bad attitude, an enchanting picture of the ocean he draws leads Mamiya to invite him out for dinner afterwards. They connect at the restaurant, but while in the bathroom there Noeru solicits Mamiya sexually. The next morning, Noeru's office calls the magazine office where Mamiya works. "Your editor was rude. Have him come and apologize." When Mamiya goes to Noeru's house to deliver the apology, he sees Noeru with a dirty-looking man. Mamiya is shocked to discover at that moment that his interest in Noeru goes beyond article research--he truly wants to know more about him. Credit: Wikipedia
Bishonen 美少年之恋

Directed by: Yonfan
Starring: Stephen Fung, Daniel Wu, Terence Yin
Release date: 1998 (Hong Kong)
Summary: Jet (Stephen Fung) is a handsome gay hustler whose sex appeal seems to know no bounds. Everyone wants to make love to him, but he is in love with no one but himself.
Things change drastically when he notices what seems like a young couple in a shop, Sam (Daniel Wu) and Kana (Shu Qi). At first sight, he falls in love with Sam and begins following the two around.
Blue Gate Crossing 藍色大門

Directed by: Yee Chin-yen
Starring: Wilson Chen, Kwai Lun-Mei, Liang Shu-hui
Release date: September 27, 2002 (Taiwan)
Summary: Bold tomboy Lin (Lin Shu-Hui Liang) and pretty, reserved Meng (Lun-Mei Guey) are Taiwanese high school girls whose extremely close friendship revolves around Meng's crush on Zhang (Bo-Lin Chen), the popular star of the boys' swim team. When Lin takes it upon herself to act as the go-between for her friend, Zhang and Lin begin spending time together. Though Lin attempts to envision herself with him, her true romantic feelings are for her girlfriend Meng. BLUE GATE CROSSING's delicate subject matter is carefully handled by director Yee Chih-Yen, whose sensitive script avoids stereotypes in favor of an honest portrayal of the universally understood pangs of teenage attraction. In the uncertainty of adolescent love, even the possibility of a kiss from a crush seems nonexistent. With its truthful, slyly humorous approach; its crisp, bright imagery; and its appealing, altogether believable young cast; BLUE GATE CROSSING treats the confusion and frustration of growing up with respect than is rarely found in similar western teen films. (Credit: Rottentomatoes.com)
Eternal Summer 盛夏光年

Directed by: Leste Chen
Starring: Joseph Chang, Bryant Chang, Kate Yeung
Release date: October 13, 2006 (Taiwan)
Summary: Three high school students experience the perks and pitfalls of love in director Leste Chen's sensitive tale of friendship and yearning. As a child living in a seaside town in southern Taiwan, studious Jonathan (Bryant Chang) was asked by his concerned teacher to look after rebellious classmate Shane (Joseph Chang). Ten years later what was once a good-natured obligation has since blossomed into a warm friendship, with Jonathan still on the academic track and Shane finding his calling on the basketball court. When Taiwan-born schoolgirl Carrie (Kate Yeung) transfers to their school from Hong Kong and convinces Jonathan to join her on a secret day-trip to Taipei, her botched effort to seduce him in a sleazy love hotel, combined with her observations of he and Shane's friendship, soon leads her to believe that the object of her affections is homosexual and in love with his best friend. Despite her initial misgivings about the boorish Shane, Carrie soon begins to give in to the troublemaker's roguish charms. She accepts his offer to become his girlfriend on the condition that he manages to enter university. Later, as Shane pulls his act together and Jonathan begins to experience a sexual identity crisis, the former does his best to keep his feelings for Carrie secret in order to protect the feelings of his lifelong friend. Despite Jonathan's, Shane's and Carrie's best efforts to keep their personal feelings secret, the truth eventually emerges, forcing all three to view their relationships in an entirely new light.
Gohatto 御法度

Directed by: Nagisa Oshima
Starring: Ryuhei Matsuda, Takeshi Kitano, Tadanobu Asano
Release date: December 18, 1999 (Japan)
Summary: At the start of the movie, the young and handsome Sozaburo Kano is admitted to the Shinsengumi (新撰組), an elite samurai police group led by Isami Kondo that seeks to defend the shogunate against reformist forces. He is a very skilled swordsman, but it is his appearance that makes many of the others in the (strictly male) group, both students and superiors, attracted to him, creating tension within the group of people vying for Kano's attention.
Love of Siam รักแห่งสยาม

Directed by: Chookiat Sakveerakul
Starring: Witwisit Hiranyawongkul
Mario Maurer
Chermarn Boonyasak
Sinjai Plengpanich
Songsit Rungnopakunsri
Release date: November 22, 1007 (Thailand)
Summary: Mew and Tong were neighbors and close friends in childhood. But after Tong's sister, Tang, disappeared, Tong's family moved away. The boys are reunited during their senior year of high school at Siam Square. The musically talented Mew is the leader of a boy band called August. Tong has a pretty girlfriend, Donut. The meeting stirs up old feelings that Mew has harbored since boyhood, his love for Tong. (Credit: Wikipedia)
Streaming links:
http://video.sarnworld.com/media/1007/Love...English_Subbed/
http://video.sarnworld.com/media/1008/Love...English_Subbed/
http://video.sarnworld.com/media/1010/Love...English_Subbed/
Ai no Kotodama

Directed by: Kaneda Takashi
Starring: Tokuyama Hidenori, Saito Yasuka
Release date: 2007 (Japan)
Summary: One day Yuki (Matsuoka Rinako, Nodame Cantabile) bumps into her old classmates Otani (Tokuyama Hidenori) and Tachibana (Saito Yasuka), whom she was close to in high school. It turns out Otani and Tachibana are now roommates and attending the same university. Seeing how close the two are, Yuki jokes that it is trendy to be gay, and then realizes that she touched on the truth. Revisiting the past through flashback, Otani and Tachibana's long relationship is gradually revealed, from their confused high school friendship to their confession of love after graduation. (Credit: Yesasia)
Bungee Jumping of Their Own 번지점프를 하다
Directed by: Kim Daeseung
Starring: Lee Byunghun,
Release date: February 3, 2001 (Korea)
Summary: A man's girlfriend dies. He meets another man who he realizes is his girlfriend reincarnated. Even the second man begins to realize it. They struggle to be lovers when they have become a same-sex couple unexpectedly. (Credit: Terrible summary on Wikipedia)
Lan Yu 蓝宇

Directed by: Stanley Kwan
Starring: Hu Jun, Liu Ye
Release date: 2001 (Hong Kong/China)
Summary: Hailed by NEWSWEEK as one of the best films of 2002, Stanley Kwan's groundbreaking, beautifully filmed adaptation of an anonymously published internet novel, Lan Yu is set against the Tiananmen Square uprising. Lan Yu tells the story of a young, gay architecture student and his ongoing relationship with an older, successful businessman. The handsome playboy-businessman must choose between his comfortable, yet closeted life in the straight world, or an honest, yet subversive life with the student. Lan Yu was selected in the opening/closing night slots for the San Francisco, New York, and Los Angeles Gay Film Festivals inn 2002, as well as playing at the Sundance Film Festival, Cannes Film Festival, and Toronto Film Festival. (Credit: Amazon)
Takumi-Kun Series - Soshite Harukaze ni Sasayaite

Directed by: Yokohama Kazuhiro
Starring: Aiba Hiroki, Saito Yasuka
Release date: 2008 (Japan)
Summary: A second-year student at all-boys school Shido Gakuen, Hayama Takumi (Yanagishita Tomo) likes to keep to himself, but that becomes a bit difficult when he meets his new roommate Saki Giichi (Kato Keisuke). A big shot on campus, Gii has handsome looks, top grades, and a string of admirers waiting in the wings, but he can't help but take an interest in the quiet and aloof Takumi. Bothered by a traumatic memory, Takumi-kun has a complex about close contact and relationships, and Gii wants to help him overcome his fear. Friendship soon evolves into something more for Gii, but Takumi-kun keeps running away from the relationship. (Credit: YesAsia)
Spider Lilies 刺青

Directed by: Zero Chou
Starring: Rainie Yang, Isabella Leong
Release date: 2007 (Taiwan)
Summary: Jade is a webcam girl, who broadcasts herself nightly on the internet to anonymous users. She seeks a tattoo, which leads her to the studio of tattoo artist Takeko, who also happens to be Jade's childhood crush. Jade becomes entranced by a large tattoo of golden flowers—spider lilies—on Takeko's arm. She wants the same design, but Takeko refuses, telling her that the flowers are cursed. Takeko's father, who was killed in an earthquake, had the same tattoo on his arm. Her younger brother witnessed the incident and was traumatised by it, left with no memory except for the image of the flowers. Takeko decided to get the same tattoo, in the hope that it would help her brother's recovery.
Nevertheless, Takeko finds herself drawn to Jade, and begins designing a new tattoo for her. (Credit: Wikipedia)
Happy Together

Directed by: Wong Kar-wai
Starring: Leslie Cheung, Tony Leung
Release date: 1997 (Hong Kong)
Summary: A gay couple, Ho Po-Wing (Leslie Cheung) and Lai Yiu-fai (Tony Leung Chiu Wai), from pre-handover Hong Kong visit Argentina to renew their ailing relationship. The two have a continual pattern of abuse, followed by break-up then reconciliation. One of their main goals there is to visit the Iguazu waterfalls which serves as a leitmotiv in the movie.
Farewell My Concubine

Directed by: Chen Kaige
Starring: Leslie Cheung, Zhang Fengyi, Gong Li
Release date: 1993 (China)
Summary: The panorama of 20th-century Chinese history] swirls past two men, celebrated actors with their own decidedly specialized view of things. We first observe their lives as children at the Peking Opera training school, a brutal and demanding arena for future actors. While still in training, the effeminate Douzi is chosen to play the transvestite role and the masculine Shitou is chosen to play the royal role in a ritualized play about a king and a concubine. The actors are so good at this performance that they become identified with these roles for their entire careers; through World War II, through the takeover by the Communists, through the insanity of the Cultural Revolution, they are known for their famous parts. Leslie Cheung and Zhang Fengyi are powerful as the two men, and Gong Li (the beautiful leading lady of Raise the Red Lantern) plays the wife of the latter. The movie may be stronger on good old-fashioned melodrama than on profound conclusions, but boy, does it fill up the eyes. The director is Chen Kaige, one of the most talented members of China's "Fifth Generation" of filmmakers, whose daring subject matter (and sometimes bald international ambitions) have often irked the Chinese government. Indeed, though Farewell My Concubine shared the top prize at the 1993 Cannes Film Festival and snagged two Oscar nominations, it had difficulty gaining official approval from China. --Robert Horton
Memento Mori

Directed by: Kim Taeyong, Min Gyudong
Starring: Lee Youngjin, Park Yejin, Kim Minsun
Release date: December 24, 1999 (South Korea)
Summary: Memento Mori (여고괴담 II Yeogo goedam II) is a 1999 South Korean horror film. It is nominally the sequel to the previous year's Whispering Corridors, and is also set in a girls high school, but they are otherwise unrelated. The film was one of the first Korean commercial films to depict lesbian characters, but was constrained both by prevailing Korean attitudes and the fact that it was aimed at teenagers. (Credit: Wikipedia)
Sukitomo

Tropical Malady

Butterfly

Itsuka No Kimi He

Big Bang Love, Juvenile A

Ren ai Shindan

Love My Life

How to Become Myself

Boys Love (Theatrical Version)

The Blossoming of Maximos Oliveros

Bangkok Love Story

The Crimson Mark
The Wedding Banquet

Hatsu-Koi (First Love)

Directed by: Imaizuki Koichi
Starring: Murakami Hiroshi
Release date: 2007 Japan
Summary: High school student Tadashi is secretly in love with classmate Kota, but says nothing. Other classmates start calling Tadashi "kool-aid" and Kota starts avoiding him. Deeply hurt and depressed, one day Tadashi spots a gay couple on the train. Strangely drawn to them he follows them and, when they split, follows one into a gent's toilet. (Credit: Queer Screen)
Formula 17 (17歲的天空)

Go Go G-boys

Bokura no Ai no Kanade 僕らの愛の奏で

Candy Rain 花吃了那女孩

Beautiful Boxer (บิวตี้ฟูล บ๊อกเซอร)

Rainbow Eyes

Love Me If You Can

DRAMAS:
Coffee Prince 커피 프린스

Hana Kimi

Princess Princess D

Crystal Boys

ANIME:
Ai no Kusabi 間の楔

Originally a Manga by: Rieko Yoshihara October 1990.
Adapted into a two-episode OVA.
Summary: Ai no Kusabi takes place on the world of Amoi, ruled over by a computer named Jupiter. Jupiter has installed a number of strict social rules to its society. Among other things, social status is determined by hair color (Blonde being the highest down to black or dark brown) and. The Blondies, genetically modified by Jupiter, are the highest social class and occupy the capital city of Tanagura. Contrary to popular belief, the hair-color caste system only applies to those working in Tanagura and not in Ceres. The true separation is between those genetically created in a lab (those in Tanagura) and "mongrels" formed the natural way (those in Ceres). However it was written in the novel that Tanagura even manipulated the 'natural' births of Ceres, ensuring that its population did not grow by restricting the number of female births.
Iason Mink, the head of Jupiter's Syndicate, is visiting Midas and comes across a mongrel, gang leader Riki the Dark, being attacked as he tries to steal a car. He saves Riki, who, in return, offers to pay back the debt with his body. After Riki gives him his body for one night Iason decides to take in Riki as a "Pet," a sexual slave, and mark his claim on Riki by applying a ring to the base of Riki's penis.
Under Jupiter's restrictions, the Blondies are sterile and forbidden from indulging in sexual activities. The "pets" are purely for voyeuristic purposes. Further emasculation is seen in the "Furniture," eunuch slaves who serve the Blondies.
Two years later, Riki is still in the possession of Iason, causing rumors to fly. Riki is considered too old to be a pet (most pets being younger teenagers), and his mongrel status, when professionally bred and trained pets are easily available, call Iason's actions into question. Furthermore, most pets are kept for about a year before being discarded. Iason has started to fall in love with Riki, and has broken the laws of Jupiter by having intercourse with him.
Iason allows Riki to go back to Ceres for one year, taking off the ring and freeing him. He is welcomed back to his gang, Bison, and they return to normal life. When the year has passed Iason sets about ensuring Riki's return. Using Killie (once a member of Bison who since has joined the Black Market) to give Bison a job Iason sets a trap which ends with Riki's gang being arrested by the Midas Police. Due to Iasons demands Riki is released early and that night he reclaims Riki as his pet under the threat of making Guy (Rikis former pairing partner) into a pet. Bison is then set free with little punishment, to the confusion of everyone but Riki. Guy once released tells Riki of his desire to once again become pairing partners (boyfriends). It is then that Riki reveals his secret of being Iason's pet for three years and how it is this connection that allowed Bison to escape jail unbeaten as he had promised to return to his former master. Enraged that the once proud and independent Riki has been a pet and is returning to be one, Guy beats Riki up, shouting at him to leave and never return.
Emotional attraction develops between Riki and Iason when Riki learns of the danger Iason is putting himself in, in order to have Riki.
Kaze to Ki no Uta 風と木の詩

Originally a manga by: Keiko Takemiya 1976-84.
Turned into a 60-minute OVA directed by: Yoshikazu Yasuhiko
Release date: November 6, 1987 (Japan)
Summary: Kaze to Ki No Uta is the story of Serge Battour, the son of a wealthy man and a Roma woman. Taking place in the late 19th century, the story is a recollection of his memories of Gilbert Cocteau at Laconblade Academy in Provene, France. The story has themes of class prejudice, racism, homophobia, homosexuality, incest, paedophilia, rape, prostitution, and drug abuse.
Gilbert Cocteau is a promiscuous student who has reputation for being a boy of corrupt morality since he frequently misses classes and engages in relations with older male students. However, Gilbert is a tortured young man who has been treated like an object all his life rather than a human being. The primary antagonist in the story - Gilbert's uncle, Auguste Beau - is a respected society figure who manipulates and sexually abuses his young nephew. Auguste's influence is so great that Gilbert actually believes that the two are in love, and Gilbert remains enthralled with Auguste, even to the bitter end when he finds out that Auguste isn't quite who he thought he was.
Golden-hearted Serge becomes fascinated with Gilbert, and tries to win his friendship despite being threatened with ostracism and even violence. Gilbert himself even rejects Serge's offer of friendship, although it seems that Serge may be Gilbert's only hope to escape this hellish life. (Credit: Wikipedia).
Gravitation

Junjou Romantica
Sukisho

MANGA / MANHWA:
Let Dai

Author: Sooyeon Won 원수연
Summary: Is this desire for freedom the very thing that entrapped us?
Let Dai is a tragic tale of forbidden love and unforgivable betrayal. Set in a soulless neo-Seoul ruled by young punks and pleasure seekers, an amoral teenager named Dai is the living embodiment of the city's beauty and cruelty. As the leader of the vicious Furies gang, Dai seduces everyone who lays eyes on him, only to blind them to his own barbaric nature. When an honest schoolboy named Jaehee rescues a beautiful girl from being mugged by the Furies, he can't possibly realize how this brief encounter will plunge him into a downward spiral of unbridled passion and unfathomable pain. From his brutal gang initiation to an unspeakable act committed against his girlfriend, Jaehee wavers uncomfortably between revulsion and fascination. And in Dai he finds a tender, caring friend one moment and a heartless sociopath the next, awakening strange and unhealthy desires in Jaehee that he could never before have imagined. (Credit: ?)
The Summit

Kaze to Ki no Uta

Martin & John
Viewfinder
UPCOMING MOVIES
Boy Meets Boy

Directed by: Kim Jo-Kwang-Joo
Starring: Kim Hye-sung, Lee Hyung-jin
Release date: Unknown. Filming has started.
There is a Soompi forum dedicated to 'Boy Meets Boy' if you are interested in more details :)
Frozen Flower 쌍화점

There are no promotional photos for this movie yet :( But filming has started.
Directed by: Yooha
Starring: Jo In-sung, Joo Jin-mo,
Release date: Spring 2008??
Summary: Frozen Flower is a historic period movie that will take place in Goguryeo. This movie is going to show a dangerous love and betrayal between the Goguryeo King, HongRim, a member of the Royal Bodyguards which is composed of 36 handsome guys, and Goguryeo's beautiful Queen.
Joo JinMo will play the young charismatic Goguryeo King and Jo Insung will play the bodyguard, HongRim who is favored by the King. Both of them will play a gay character. Joo JinMo will play Jo InSung's partner in this movie. (Credit: Soompi)





















