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Epik High going to America? I don't think that's a very good idea. I mean they're all right, but whom are they planning to be better than, and what unique Asian music are they going to showcase, since their image and musical style is already totally Americanized? Can they really be better than Linkin Park? Or are they really going to try and beat the countless rappers including Flo Rida, Jay-Z, G-Unit (50-cent's gang), Soulja Boy, Twista etc.? They can't. They shouldn't go. It'll be a waste of time and energy.
i get what you mean... i brought them up because they're actually performing in the states soon and their music can actively be bought by people outside of korea (US) which most kpop artists don't really do directly (besides the regular yesasia or whatever). plus their booklets and stuff are bilingual so it's understandable to the english-speaking public as well. As an actual artist trying to make it in mainstream america I'd rather have them not. I mean, they sort of pulled out of mainstream kpop for a reason too..
i don't know about how marketable they are or how popular their style of music would become, but for being independent now they got venues and stuff way faster than a lot of the asian crossovers. not the best venues or whatever but i mean, they don't seem any worse than how se7en is performing in clubs?
i don't think they'd be catagorized with people like flo rida or t.i. (ect) anyway though. (And I don't see them as completely americanized, but thats just me I guess) And I think they're completely diff than LP. If they were a band and played all their music live and stuff then maybe I'd compare, but in general, no.
I sort of see it more with people like lupe or mos def (less mainstream but respected rappers with more substance, though thats prob a stretch too). but for example, listen to MYK's part in 'Map the Soul (worldwide vers)' and then listen to Zion I's 'Bird's Eye View' and tell me you don't at least see similarities.
overall i think it would be a different 'category' altogether though. like far east movement. i dont really have non-asian counterparts i can compare them with. Since rap is such a personally and culturally based type of music I don't think a lot of asians can make music that is the 'asian version' or whatever of some american rapper. it would be innately in some ways. i don't know about other people but even though i can hear similarities in influence, style, and stuff like that, asian american rapping is definitely distinct from regular mainstream rap unless you want to start to talk about blurring boundaries like teriyaki boyz or verbal. (asian rapping is diff too but thats a completely different story).
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The problem I have with Utada is that she sometimes has awkward lyrics. In her English music, the awkwardness of her lyrics just intensifies, although they can be somewhat awkward in Japanese. Just not as noticeable. As for her chance for success - you may say that her music is good, but for Exodus - the music was good, some of the lyrics were too awkward. That Japanese-y line practically killed it, along with the lack of promotion. For her latest album, the music just isn't up to par. Her image is too bland for America. To you, music may be all that matters. Actually, her image in Japan was actually one of the reasons she became popular - the uncontroversial, down-to-earth aspects. (I mean, think about all the down-to-earth artists out there in Japan - Yui, ayaka, etc) Another reason why she became popular in Japan was her first album - she did something innovative by Japanese standards, which was R&B. Not necessarily by worldwide standards though. And not to forget, her parental connections.
as a disclaimer, i've heard WAAAAAAAAAAAY weirder (and more awkward) lyrics than hers so i'm not really worried.
are you fluent in japanese? i never really thought of her japanese lyrics as 'awkward'. in america it might be for a regular pop song, but for something like an indie artist (i know she's not but whatever) i dont think it is really (yeah the japanesey line was bad but its not like its her only line ever. and it was supposed to be funny though i don't think she has the same humor as everyone in the world so...)
i don't really think about exodus as her break into america. i see it as an EXPERIMENTAL album. you can tell just by listening to it that her goal wasn't to sell a lot or become famous in the states. it was to experiment with her style and try things out.
as far as her image, no really.. i don't care. she
is bland for american standards because she ISN'T a diva. her success (or lackthereof) here means nothing to me so i couldn't care less about her 'image'. i dont see her getting big in the states in the first place and i dont think its her goal. This is the One was just a pop album. she never really made a complete album in only the 'pop' genre so she probably wanted to try it, and i don't blame her, a 10 year (something like that?) music career and japan and you might want to try something different.
i think its weird that people really look at her as a person who is trying so hard to make it here when in general i think shes just doing what she does, just decided to change locations. i don't think she's worried about her album sales or radio play.. and to be honest i'm not either.